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TIME: Almanac of the 20th Century
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TIME, Almanac of the 20th Century.ISO
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1990
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92
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jan_mar
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0106440.000
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<text>
<title>
(Jan. 06, 1992) Music
</title>
<history>
TIME--The Weekly Newsmagazine--1992
Jan. 06, 1992 Man of the Year:Ted Turner
</history>
<article>
<source>Time Magazine</source>
<hdr>
MUSIC, Page 85
BEST OF 1991
</hdr>
<body>
<p> POPULAR
</p>
<p> 1. THE COMPLETE CAPITOL RECORDINGS OF THE NAT KING COLE
TRIO (Mosaic).
</p>
<p> Enough music (18 CDs, 349 tunes) to carry you through
until the Fourth of July. Enough jazz artistry and pop dexterity
to confirm Cole (if reminders are still needed) as one of the
seminal talents of American music. And so much joyous
musicmaking that it's virtually Unforgettable.
</p>
<p> 2. VAN MORRISON: HYMNS TO THE SILENCE (Polydor).
</p>
<p> This wild Irish heart has been making great rock 'n' roll
for (can it be!) more than 25 years now, and this two-CD set is
another great chapter in a musical autobiography that combines
influences as diverse as James Joyce, Sidney Bechet, Jack
Kerouac and Muddy Waters into a seamless, eccentric and wholly
original sound. As Van the Man once put it himself,
"Fantabulous."
</p>
<p> 3. THE COMPLETE ROULETTE LIVE RECORDINGS OF COUNT BASIE
AND HIS ORCHESTRA (1959-1962) (Mosaic).
</p>
<p> The Count's outfit was nicknamed the Atomic Band, and the
seismic swing on this set--recorded on dates in Manhattan,
Miami and Stockholm--ought to come with a Geiger counter.
Vintage arrangements by the likes of Neal Hefti and Frank
Foster, players such as Thad Jones and Benny Powell, and the
Count guiding the band from the piano with nimble majesty.
</p>
<p> 4. SOUTHSIDE JOHNNY AND THE ASBURY JUKES: BETTER DAYS
(Impact).
</p>
<p> Great, go-for-the-gut roadhouse rock, Jersey-shore style.
An envoi for the glory days: sentimental, hard-edged and
clear-eyed. When Little Steven (who produced and wrote much of
this album) and Bruce Springsteen get together with Southside
on It's Been a Long Time, the result is one of rock's greatest
tributes to the bounds and bonds of friendship.
</p>
<p> 5. ROBBIE ROBERTSON: STORYVILLE (Geffen).
</p>
<p> Rock's surreptitious narrative poet and mystic folklorist
takes a funky journey to the end of the night in a rich
collection of reflective love songs and groove-heavy tall tales.
Music full of hellhounds and enigmatic angels of mercy.
</p>
<p> CLASSICAL
</p>
<p> 1. SCHOENBERG: GUERRELIEDER. Riccardo Chailly conducting
the Berlin Radio Symphony (London/Decca, 2 CDs). The high-water
mark of late--really late--romanticism, Gurrelieder will
come as a revelation to those who equate Schoenberg with the
chilly 12-tone system. The fiery song cycle, really a music
drama about doomed love and transcendence, gets a voluptuous
Wagnerian reading from Chailly & Co.
</p>
<p> 2. EVGENY KISSIN: CARNEGIE HALL DEBUT CONCERT (RCA, 2
CDs). For once, a Russian pianist who deserved all his pre-debut
hype. In September 1990, before the toughest audience in the
world, Kissin, then 18, wowed 'em with Schumann, Prokofiev,
Liszt and Chopin.
</p>
<p> 3. SHOSTAKOVICH: COMPLETE STRING QUARTETS. The Manhattan
String Quartet (ESS.A.Y). In the 16 years since his death,
Shostakovich's reputation has soared, partly on the strength of
these 15 brilliant quartets: personal, searingly intimate
utterances that represent the flip side of the composer's
symphonic-apparatchik persona. The Manhattanites, playing with
understanding, cohesion and sharpness, reveal the man behind the
mask.
</p>
<p> 4. HOWARD HANSON: SYMPHONY NO. 4; "MERRY MOUNT" SUITE.
Gerard Schwarz conducting the Seattle Symphony (Delos). Hanson's
brooding symphony, a requiem for his father, won a Pulitzer
Prize in 1944, and Schwarz's impassioned performance makes it
clear why. The best installment so far in Schwarz's complete
cycle of the seven Hanson symphonies.
</p>
<p> 5. BERNSTEIN: CANDIDE. June Anderson, soprano; Jerry
Hadley, tenor; with Leonard Bernstein conducting the London
Symphony Orchestra and Chorus (Deutsche Grammophon). Lenny's
1956 problem child--Is it opera or musical theater? And does
it matter?--has often been cut, altered and misconceived over
the years. Here it gets the best of all possible performances
in a stunning valedictory by the late composer.
</p>
<p> BOXED-SET BACKLASH
</p>
<p> The complaints come from both the classical and pop camps:
CD boxed sets are just a marketing ploy, and there are too damn
many of them. Well, stop grousing and start listening. Many
boxed sets--from this year's Bob Dylan: The Bootleg Series on
Columbia to Philips Classics' ongoing 45-volume, 180-CD
Complete Mozart Edition--are enriching and redefining the
musical heritage. Keep 'em coming.
</p>
</body>
</article>
</text>